Sentence examples for distinguished piece from inspiring English sources

They had to be both in Natalie Weir's "Bitter Moon," the most distinguished piece of a choreographically strong evening.

In music that concept has produced a variant: any sufficiently distinguished piece, no matter how unorthodox its instrumental requirements, will spawn ensembles to play it, creating a demand for further similarly constituted pieces.

Making discreet mention of the unfolding Holocaust, the New York Times reviewer called the book "a distinguished piece of writing [and] to all intents and purposes, a memorial to that world, for generations injured and humiliated and now in the process of extinction".

Eliot described its strengths: "We agree that it is a distinguished piece of writing; that the fable is very skilfully handled, and that the narrative keeps one's interest on its own plane – and that is something very few authors have achieved since Gulliver".

And this year, he won the EMBO Gold Medal for what EMBO Council Chair Timothy Hunt of the Cancer Research UK London Research Institute calls "a particularly distinguished piece of work...

I still consider this production a distinguished piece of international work and, thanks I think to Stephens' own background as a teacher, a piece that functions as a tool to help anyone and everyone better understand those different from themselves.

Together, they analyzed just under seven thousand articles that had appeared in the Times in 2008, between August 30th and November 30th, to try to determine what distinguished pieces that made the most-emailed list.

Books like John Buchan's Thirty-nine Steps (1915), Graham Greene's Travels with My Aunt (1969), Dashiell Hammett's Maltese Falcon (1930), and Raymond Chandler's Big Sleep (1939) are distinguished pieces of writing that, while diverting and enthralling, keep a hold on the realities of human character.

Suggestions were also provided as to how to make the language more accessible to individuals without a strong background in change theory and to further divide the feature section so one can more easily distinguish pieces of a propagation plan.

Fraenger distinguished these pieces from the artist's other works and argued that despite their anti-cleric polemic, they were nevertheless all altarpieces, probably commissioned for the devotional purposes of a mystery cult.

Having ears only for the paraphrase, he was unable to distinguish one piece from another or to distinguish his own monotonous, hectoring voice from Shostakovich's.