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Rocky Behr, the owner, scours Mexico for wood carvings, whimsical masks, ceramics, textiles, folk art and other distinctive objects.
Revealing an underexplored facet of contemporary book arts, this publication illustrates the remarkable singularity of the Alberts' collection, providing both comprehensive views and the scholarly context necessary to fully appreciate the significance of these distinctive objects.
While the paragraph from "Sakhalin Island" establishes the yard clearly by size and shape and then describes how it is populated, the passage from "Ward No. 6" doesn't tell us what a hospital yard looks like, or what "small" means, or what an annex looks like, or how we should interpret "whole forest," and we must do the work of processing the names of plants into visually distinctive objects.
Liberman and Mattingly (1985), furthermore, use the claim that audition has distinctive objects to motivate the claim that speech perception therefore involves distinctive perceptual processes.
The feature-based approach, on the other hand, relies on detecting salient, distinctive objects (termed features) in images and then matching them to estimate the transformation model.
The first of these rejects the existence dimension by rejecting the claim that the distinctive objects of that subject-matter exist, while the second admits that those objects exist but denies that they instantiate any of the properties distinctive of that subject-matter.
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A result, paradoxically, is a chaos of systems, with objects visually ricocheting off other objects, and viewers bouncing from surprise to surprise, like pinballs in a machine, propelled by curiosity, puzzlement, prior knowledge or pleasure, from one distinctive object to the next.
In the salient condition, the central object in the array was perceptually distinct from all others (Figure 1, left panel), and in the non-salient condition, a non-distinctive object was used instead (Figure 1, right panel).
Then there are the physical realities of Traylor's distinctive art objects themselves.
It also includes Neoclassical pieces like the 1796 sugar bowl, above, and work from silversmiths who "were not fond of overcrowded decoration," according to Elsebeth Welander-Berggren, the curator, and began to produce distinctive minimalist objects during the 18th century.
If auditory perception generally implicates environmental happenings or sound sources, then the gestures and activities associated with speech production are not entirely distinctive among objects of audition.
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