Sentence examples for distinctive illustration from inspiring English sources

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Whether or not we think of art as the central or defining example of the aesthetic object, there is no doubt that it provides the most distinctive illustration both of the elusive nature and the importance of aesthetic interest.

"Snow Rabbit, Spring Rabbit" is the latest of Na's deceptively simple storybooks ("A Book of Sleep," "Brrrr: A Book of Winter"), where a straightforward tale of nature or nighttime is elevated by distinctive illustration into a somewhat more enchanted realm than that of mere snowfall and frozen dirt.

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Her distinctive illustrations, familiar to those who own Nash's CDs and merchandise, are set to morph into a range of greetings cards.

What made Fornasetti unusual was his focus on using distinctive illustrations rather than creating new forms and typologies as other designers were doing, among them the Castiglioni brothers, Carlo Mollino and Joe Colombo.

The distinctive woodcut illustrations are handsome and witty.

As illustrations, distinctive features of human male life histories such as coalitional aggression, long-term partnering and paternal care are noted, along with their relevance to overall reproductive effort and developmental plasticity.

After the 1860s, images could be photographically projected onto the blocks, although it was more difficult for the printer to carve the reliefs without leaving the distinctive lines of the illustration.

The quirky and almost untutored character of the lettering makes this book distinctive; despite the enticing illustrations, if it used conventional typefaces alone this old house would be old indeed.

While it does not include critical analysis of the members' work, "AGI" offers a sampler of some of the most distinctive graphic design, typography and illustration.

He drew, with a distinctive and recognizable line, magazine illustrations, advertisements, book jackets, and album covers, and he owned a four-story town house on the Upper East Side.

SoHo Through Feb. 26 This is the first exhibition devoted to the death ship sculptures, drawings and prints of H. C. Westermann (1922-1981), whose distinctive fusion of folk art, popular illustration and Surrealism remains underappreciated.

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