Sentence examples for distinctive documentary from inspiring English sources

If there's some distinctive documentary import and salient detail in Kalashnikov's depiction of Russian road life, it's in sequences showing cars driving on roads surrounded (and nearly broiled) by forest fires, roofs blowing off or tumbling down, yellow ooze filling a street.

His masterpiece is Platform, but he's also delivered unconventional films like The World and a distinctive documentary about Shanghai called I Wish I Knew that I loved but which has never really made it the US.

There's a distinctive French documentary tradition — largely a one-man tradition — that helped to launch the French New Wave.

The author of five feature films and several shorts, he uses a distinctive blend of fiction, documentary and essayistic speculation to analyze and criticize his country's complex national identity -- a crazy quilt of warring classes, ethnicities and economic zones.

It was after the feature-length film became standard that the documentary acquired its distinctive political cast and became a medium of progressivism.

The DVD set's "making-of" documentary explains the distinctive frontispiece of the series (wherein Serenity soars over a herd of horses) as Whedon's attempt to capture "everything you need to understand about the series in five seconds".

Radio 2 also needed to be more distinctive with more comedy and documentaries during peak time, even if this meant its overall audience fell, according to the trust.

The story's sentimental contours — emphasized by Kiarostami's distinctive blend of analytical stylization and documentary avidity — throw character traits into sharp relief while filling in the background with a tangle of relationships and moral twists.

His distinctive voice is still heard on documentaries on The Discovery Channel and National Geographic.

Overall, the desire to reflect as many points of view as possible from very diverse chefs, across very distinctive establishments in very dissimilar culinary cultures, dilutes the documentary's impact.

Though Polish photographer Magdalena Switek only began shooting in 2009, she has already become known for her distinctive style, a brooding, dreamlike mixture of street and documentary photography, all black-and-white.