The Gregg Smith Singers of Yonkers received $10,000 for a compact disk recording of the early sacred works of the American composer Charles Ives, including nine previously unrecorded church anthems.
It is based on state of the art technologies: last generation sensors, advanced human machine interfaces, image compression, video on disk recording, image processing and pattern recognition algorithms.
In the last decade, diverse technological applications of magnetic nanostructures in magnetofluid, recording tape, flexible disk recording media, permanent magnets, microwave oscillators as well as biomedical materials, and catalysts have provided an impetus for extensive research in nanometer scale magnets [1 17].
But this disk, recorded at St. Bartholomew's Church on Dec. 31, 2000, seems as good a place as any.
The intrepid interpreter of American dive music -- the songs played on dingy bar jukeboxes from Florida to New Mexico -- recently released "Set" (Bar None), a shambling disk recorded with his trio in one sleep-depriving swoop last year at Spear Studios in New York.
The songs from the Horror Planet record were subsequently re-released in their entirety on the anthology CD compilation, Something in the Water: the Secret History of Long Island Punk, by Winged Disk Records.
In October, Nonesuch, the company from which she was once so publicly ousted, will release a two-disk recording in her honor.
Today, the conceit, viewed on a laser-disk recording of a performance that was given five years later, in Dresden, seems more than a little forced and, at times, sophomoric.
TiVo and competitor ReplayTV sell hard-disk recording devices that let viewers store hours of television programming, identify programs they might like, and zip through commercials.
Por Vida (Or Music), a two-disk record whose proceeds will help pay for treatment, enlists a wide range of performers to sing Escovedo's songs, including Lucinda Williams, Lenny Kaye, Jennifer Warnes, John Cale, and Calexico.
Paul played an old Beatles song ("Two of Us") and a charming version of "Something," and then, without saying anything (so unlike Paul!), he played the last song, the one that got me the title track from what remains the best-selling Beatles solo album, "All Things Must Pass," a giant, three-disk record of pent-up songwriting by George.
