Sentence examples for discourses less from inspiring English sources

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Where Danish debates on naturalization remain highly politicized, tied to issues of deservingness, cultural assimilation, security, and ideas about citizenship as something sacred, which should be difficult (Mouritsen & Olsen, 2013), Norwegian debates have been less protracted and discourses less harsh.

The combination of the resurgence in effort and interest in malaria, plus the impetus towards research collaboration through partnerships, meant that malaria policy was being implemented in a highly dynamic environment, making the resulting scientific and policy discourses less predictable and fast changing.

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So will the Arizona massacre make our discourse less toxic?

"It's not a dirty word," Grant said, as if that somehow made his business — the wholesale degradation of public discourse less odious.

It is your classic self-fulfilling prophecy: the more the '60s generation dominates the political discourse, the less that discourse engages younger voters, and the longer the boomers hold sway over our politics.

Our findings suggest that, for the institutional space for community initiatives, the precise content of the dominant discourse seems less determining than the alignment of a dominant discourse across government levels and actors.

The predatory masculine sexuality discourse offers less scope for adaptation and it might need to be countered by discourses that discourage risk taking.

In Israel, though, the popular discourse is less about peace than realpolitik and security as the Feb. 10 elections draw near.

In his entire speech, Mr Sarkozy mentioned neither French grandeur nor gloire, both staples of Chirac-era discourse, preferring less ambitious terms such as France's "influence" and "role".

In "Lincoln," the emphasis on discourse — and less even on stirring rhetoric than on persuasive logic, less on the morality of principle than on the legalistic basis for its realization — comes not by way of the image but in the absence of the image.

What is the point of the revolution that begins with the little hand?" The discourse becomes less cryptic, thankfully, when Aiesha is joined by three women who clamber over the back wall of the set (a striking wooden shoebox by Paul Steinberg, bathed in pink lighting by Jane Cox).

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