Sentence examples for discourse to which from inspiring English sources

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My summers there as a student and a researcher served to introduce me to a level of scientific discourse to which I otherwise would not have had access.

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Syntactic rhythms and images are drawn from each character's own experience and point of perception, as well as from the common stock of discourses to which their historical situation gives them access.

They become scientists, scientific agents (S2 in the upper-left position), while the meta-physical pontifications of the Master becomes a superfluous burden, so that the power relationship becomes subverted, and a new type of discourse emerges, to which Lacan refers as the university discourse: Now the Master no longer addresses the Servant explicitly.

As David Strand, Mr. Song's colleague at Dickinson College, explains, an arrest of this kind threatens the existence of the "invisible university" -- the community of open research and intellectual discourse -- to which scholars around the world belong.

Whether it is true to say so depends on the domain of discourse with respect to which the existence predicate is to be understood.

Possibilist realists believe that some domains of discourse with respect to which 'exist' may be understood include more than actual objects, whereas actualists deny it.

It has been noted that discourses promote particular kinds of behaviour [ 27], although the extent to which discourse and practice actually match-up may be difficult to ascertain and is beyond the scope of this paper.

Its avoidance of public discourse precipitated a lawsuit, to which I am a party, that challenges its plan.

By Jeff Shesol January 30, 2018 The clearest measure of what Trump has done to public discourse is the extent to which he has turned banalities into fighting words.

By Jeff Shesol January 31st, 3 27 A.M. The clearest measure of what Trump has done to public discourse is the extent to which he has turned banalities into fighting words.

The movie pivots on matters of shame, guilt, and responsibility — and of discourse, action, and perception — to which Parker lends a sharp emotional specificity as well as an element of speculative thought that, at their height, have a distinctively cinematic merit.

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