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Providing some of the rollicking action inside the convention center, two former directors leading a campaign to oust Mr. Eisner -- Roy E. Disney, the nephew of the company's founder, and Stanley P. Gold -- were given 15 minutes to address shareholders.
Andrew Dickson's feature today about the new generation of directors leading British theatres is a terrific snapshot of some of the changes currently under way – but it only tells part of the story.
Over the past few years the Oscars have been kidnapped by independent productions and foreign stars and directors, leading some to whine that the Academy of Motion Picture Arts and Sciences has become too tasteful for its own good.
Perhaps we will start to see UK theatre and puppet directors leading the way in creating work that explores puppetry as rigorously as Dmitry Krymov did with his recent adaptation of A Midsummer Night's Dream (As You Like It), which he created through his laboratory work with Moscow's School of Dramatic Art.
On Tuesday, hundreds of shareholders lined up around the block at Loews Hotel to get inside a meeting called by the two former directors leading the campaign to oust Mr. Eisner --Roy E. Disnephewhe nephew of the company's founder, and Stanley P. Gold.
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And Doug Jaeger joined Taxi New York as innovation director, leading the digital practice.
Martin Laiks joined the New York office of Arnold Worldwide as executive vice president and group account director, leading the Sanofi account.
Other highlights include Andrew Litton, the festival's artistic director, leading a concert performance of Verdi's "Rigoletto"; (612) 371-5656; minnesotaorchestra.org.
He had been media director, leading broadcast buying for the Pizza Hut division of Yum Brands, at Valentine Radford, Kansas City.
Matthew Jacobson joined Digitas, part of the Publicis Groupe, in a new post, vice president for group director, leading design for the Chicago office and the new San Francisco office.
Matthew Scholes joined Leo Burnett Worldwide, Chicago, part of the Publicis Groupe, as executive vice president and worldwide account director, leading the global account for the Kellogg Company.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com