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And then, the director has to be the executioner.
An effective music director has to be on top of every artistic matter in an opera house.
Nothing in the bylaws of the International Monetary Fund says that its managing director has to be European.
But there's also a point when the director has to be terribly cruel, because actresses sometimes have to face their own demons.
Kechiche's Couscous, five years ago, was a lovely and rich film, and anything from this director has to be of interest.
A music director has to be two different people: frontman for the orchestra and intense student of the scores he will be conducting.
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I can't specify a movie, but there was one where I just think it was the wrong director, and another where the director had to be taken off the film because he basically had Alzheimer's.
From that moment onwards the film snowballed towards the Oscars, though first of all the perfectionist director had to be persuaded to stop working on the film.
A Director had to be at least 40 years old and to have formerly served as a deputy or minister; a new one was chosen each year, on rotation.
The desirability of having a slew of truly independent non-executive directors has to be set against the value of having people who truly understand the business, for instance.
Then new directors have to be appointed and hold meetings, and new executive leadership has to be chosen.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.
Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com