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Richard Helms, the former C.I.A. director, compared it to "cutting a man down the middle".
The office's director compared their use for deficit reduction to Enron-style accounting, the Financial Times reported.
In a news release about the indictment, an assistant F.B.I. director compared Dr. Gleason to a "carnival snake-oil salesman".
Dr. Masayuki Ono, the project director, compared generating reconnection in the device to "a giant spark plug" to start a hot plasma.
David S. Elliott, the new museum's British director, compared the gallery space to New York's Museum of Modern Art in the 1930's: "no collection, but very concerned with what is happening now".
John McGarvey, an art consultant who is serving in an unpaid capacity as the project's executive director, compared it to "farm life, minus the livestock — but inside the fishbowl of New York City".
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In a dazzlingly illustrated study, the Book Review's former art director compares modern corporate-branding strategies with the propaganda of Hitler, Stalin, Mao and others.
Alexei Borodin, the Moscow director, compares the trilogy's interplay of lives and ideas to the work of Chekhov and Turgenev.
Although reliable statistics are hard to come by, Murtazokul Khidirov, RAN's director, compares the spread of HIV due to dirty needles to an "uncontrollable forest fire".
Mark Baldwin, Rambert's artistic director, compares it to his desk blotter: "You can probably see all the tracings of the work that we've done for the last 15 years," he says.
On the professional front, he says he gives himself a "B" for his body of work, and admits that he does not feel he is a "great" director, comparing himself negatively with legends such as Federico Fellini and Akira Kurosawa.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com