Sentence examples for director's control from inspiring English sources

Sometimes those feelings rush beyond the director's control — but that's because they're so much stronger than those of many other filmmakers who have nothing to offer but their sense of control.

It is typical of Goldman's disregard for a director's control of the sensuous qualities of moviemaking.

Opponents of the measure said they would still try to limit the new director's control over military intelligence.

The element of acting is obviously of vital importance to the value of the photoplay, and it is an element which comes most closely under the director's control.

Most reviews pointed out the routine nature of the story, but almost all said that the director's control of tension and the performances of his two stars, Kevin Spacey and Samuel L. Jackson, made the film work.

It's an instance where you can literally see the filmmaker running out of money and the picture eventually compromised by budgetary shortfalls, though the director's control is evident throughout.

Paul Schulte former director arm's control at the Ministry of Defence and honorary professor of security studies at Birmingham University said Obama's record on non-proliferation has been mixed.

What we said: What is so distinctive about this Iñárritu picture is its unitary control and its fluency: no matter how extended, the film's tense story is under the director's complete control.

But what is so distinctive about this Iñárritu picture is its unitary control and its fluency: no matter how extended, the film's tense story is under the director's complete control and he unspools great meandering, bravura travelling shots to tell it: not dissimilar, in some ways, to his previous picture, Birdman.

(Dargis) ★ 'RED ROAD' (No rating, 113 minutes) Andrea Arnold's first feature falls into melodrama and implausibility at the end, but along the way it is a remarkably assured and complex piece of work, anchored by the director's formal control and by Jackie Dick's quietly heartbreaking performance as a Glasgow video-surveillance officer with an unhappy past.

The director's subjectivity controls the illusion of the real; he can quicken that illusion or slow it down, color the moods emotionally.