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The White Ribbon is a period film set in a secluded northern German village on the eve of the first world war, shot in a pellucid monochrome, impeccably acted, and directed with this film-maker's icily exact rigour and severity.
The Times's Wendy Ide calls it "an extraordinary, rigorous drama", while our own Peter Bradshaw says it is "impeccably acted, and directed with this film-maker's icily exact rigour and severity".
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That's a shame, because his learned and affable spirit pervades this show, directed with palpable affection by Charlotte Moore.
This scene, directed with a keen ear for familial shorthand by Joe Brancato, eventually discloses the grisly reason for their visit.
Though it sometimes puts on a serious face, this movie, directed with snarling, snappish style by F. Gary Gray ("The Italian Job"), wears its preposterousness with a certain pride.
But this one, directed with spark by Steve Marmion and soon moving to the Soho theatre, is the first I've seen that made me laugh.
Rob Marshall ("Nine") directed; with Geoffrey Rush and Kevin McNally.
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