"directed by passion" is correct and usable in written English.
This phrase is commonly used to describe someone who is motivated by strong emotions, rather than a more rational approach. For example, you could say, "The project was inspired and directed by passion, and thus resulted in an impressive outcome."
The episode was written by Mike Scully and directed by Bob Anderson, whose passion for hockey inspired the plot.
The triangular frame was retained for "The Little Match Girl Passion," directed by Ms. Zambello with Dickensian garb designed by Beth Goldenberg.
But, in the programme I noticed you missed out 'Crimes of Passion' directed by the Master that was Ken Russell - was there any reason for this other than limited space in your bio?
When an Estonian television station approached producer Paul Smaczny last year with the idea of making a documentary about the composer based on the music-theatre production Pärt's Adam's Passion directed by Robert Wilson, a lifelong wish finally came true.
Rome's Cinecittà also sees many non-Italian productions each year, particularly of films treating historical themes; examples include Gangs of New York (directed by Martin Scorsese, 2002), The Passion of the Christ (directed by Mel Gibson, 2003), and The Life Aquatic with Steve Zissou (directed by Wes Anderson, 2004).
In an independent film directed by Lavinia Currier titled Passion in the Desert (1997), Daniels played a French soldier named Augustin Robert.
She made her dance debut last September in a production of Pascal Dusapin's opera "Passion," also directed by Ms. Waltz.
James's potent myth about the unlived life survives intact, but I longed to see it played by British actors, reared in a tradition of unarticulated passion, and directed by a master of theatrical economy.
The show is currently scheduled to run at the Noel Coward until the spring, and will be followed in May by a new production, starring Zoe Wanamaker and directed by David Leveaux, of Nichols's Passion Play (1981), which dramatises an adulterous relationship by using doubles to act out public and private positions.
It was first recognized as a masterpiece in 1973, with a Broadway production directed by Jose Quintero, who had a singular passion for O'Neill.
Rather than heightening such passion, the production, directed by Ralph Lewis and Barry Rowell, unwisely employs a detached approach, using intentionally absurd double-casting and other techniques in a Brechtian attempt to shift focus from the characters' emotions toward a larger vision.
