Sentence examples for dimensions of pitch from inspiring English sources

Studies have varied different perceptual dimensions of pitch to investigate their relative importance in music and speech perception6,7,8,9,10.

''The Existence of Unexplored Dimensions of Pitch: Expanded Chromas," Proceedings of the 1992 International Computer Music Conference, San Jose, California, 1992.

If complexity is indeed crucial, it might become understandable that the relatively low-level physical dimensions of pitch and size did not induce a typical congruency effect.

This study used human electroencephalography (EEG) with an adaptation paradigm to investigate how pitch is represented within these areas and, in particular, whether the representation reflects the physical or perceptual dimensions of pitch.

Synesthetic associations have, for instance, been demonstrated between the visual dimensions of brightness, lightness, size, and shape and the auditory dimensions of pitch and loudness (Evans & Treisman, 2010; Gallace & Spence, 2006; Makovac & Gerbino, 2010; Marks, 1987; Walker et al., 2010).

This suggests that the IC represents the physical dimension of pitch (waveform repetition rate).

If the dimensions of the pitch are correct, the playing surface is safe and the markings are clear, there's no problem with different colours.

"Just imagine for a moment that, because a football team can't run as fast as its opponent, the dimensions of the pitch are changed at halftime".

Systematically explores basic dimensions of hearing (pitch, timbre, consonance, loudness) and the time sense (duration, temporal pattern) that form our perception of tonal quality, melody, harmony, meter, and rhythm in music.

These laid out, among other things, the dimensions of the pitch, the height of the wicket, the weight of the ball, the length of overs and the various ways of being out.The middle stump, 1775 Bowlers are a grumpy breed at the best of times.

As "Crossplay" shows, he understood at once how Messiaen's single notes could be organized by applying Schoenberg's serial principle to every dimension of sound: pitch, duration, loudness and tone color.