Sentence examples for dimensions of art from inspiring English sources
The interview included questions on socio-demographic variables and 10 true-or-false questions to evaluate different dimensions of ART knowledge (on ART effectiveness and side effects, ART retention, and ART adherence).
Other dimensions of ART adherence, such as whether participants took the ART in accordance with dietary instructions, were not explored.
It made the ethical dimensions of art and the artist much more urgent".
Why embodied approaches to cognition are better able to address the performative dimensions of art than the dualistic conceptions fundamental to theories of digital computing.
When Long was invited to create a piece in Lincoln Cathedral in 1990, the critic Peter Fuller argued that his work "is symptomatic of the loss of both the aesthetic and the spiritual dimensions of art.
In addition to criticizing Greenberg's "exclusively positivist explanation [which] seems to betray the richness of effect in the art, and to vulgarize its existence," the book serves as a manifesto for Kuspit's own approach to criticism, which seeks to analyze and differentiate the psychosocial dimensions of art.
(In the context of our analysis here, however, we do not engage further in speculating on dimensions of arts beyond aesthetics and knowledge).
A contemporary printmaker who primarily works with lithography and the Japanese mokuhanga (woodcut) medium, Lama talked about his current project, with a colleague at MIT, that takes his work to a completely new dimension of art therapy and scientific inquiry.
The grass factor is interesting because: 1) it's typical of the era, always an interesting dimension of art; 2) one realizes it couldn't be an unfair advantage, since no one else wrote like he did; and 3) the reader's knowledge of it confers a nice extra little psychedelic ting to the pages.
Thus, the triad within beauty consists of Dionysian "world-absorbed engulfment" (nature), "ludic" imitation (the social dimension of art), and Apollonian "self-controlled detachment" (self) (pp. 130 31).
Indeed, this insistence on the representative dimension of art might appear old-fashioned, inasmuch as the more modern insistence on the autonomy of the artwork has marked most late 19th century aesthetic projects and their 20th century descendants.
