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Yet Salgado shows raw, real events that outdo digital fantasy.
Digital fantasy is now finding its way into all kinds of movies and TV shows.
At last, digital fantasy means something: we are not watching a dull-brained superhero banging off walls like a fly in a bottle; we are watching an animal with suddenly enhanced powers who still behaves recognizably like an animal.
The young men who opened fire at Columbine High School, at the movie theater in Aurora, Colo., and in other massacres had this in common: they were video gamers who seemed to be acting out some dark digital fantasy.
Development-intensive, launched against the backdrop of a global recession and only weeks before Google plans to pull the plug on its own (never very) "Lively" digital fantasy world, it looks as if it could be a struggle.
(Flicker Alley, $39.95, not rated) ALSO OUT THIS WEEK WATCHMEN When a superhero is assassinated, his costumed colleagues seek revenge in Zack Snyder's noirish digital fantasy adapted from a celebrated graphic novel.
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Twenty years later, the huge profits from big-Hollywood movies — digital fantasies based on comic books and video games — have washed away that shame.
Rather, it is a crisis in the digital fantasies of the 21st century: that (privileged) people can have on-demand access to the wealth of human culture.
The Dutch artist, who once hunted down the first ever Photoshopped image – so he could see it before it was altered – is now taking on the ultimate champion of digital fantasies: Facebook.
It reveals an uncanny new landscape, grafting our digital fantasies onto the old, sweet and tired planet Earth.
Start scrolling through Obscure Video Games and you'll get sucked into a veritable wonderland of arcane (and, well, arcade) digital fantasies.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com