The term 'digital exploitation' is correct and usable in written English.
You can use it to refer to the act of exploiting digital technology or media for various means. For example, "Large companies are often accused of digital exploitation, such as using algorithms to manipulate consumer behavior."
The lawsuit, filed in federal court in Manhattan against UMG Recordings, says the band was the victim of "digital exploitation".
The story Simonds originally told, about making old-fashioned, human-scale stories, had given rise to its own sequel, about ramifying digital exploitation.
1998 ended with voluminous copyright legislation, pompously titled the "Digital Millennium Copyright Act" [ DMCA"], and intended to equip the copyright law to meet the challenges of online digital exploitation of works of authorship.
At a panel about digital exploitation this summer, an FBI agent gave me his personal contact information, in case my stalker resurfaced; a press contact at Twitter encouraged me to forward him the abuse reports I file on the network to ensure that the site's moderators field them appropriately.
The Treasury said the cash will also be used for what it described as a national digital exploitation service "to enable the processing of seized phones, computers and devices for evidence and intelligence leads, improving police and intelligence agencies' ability to identify and disrupt potential attacks and prosecute terrorists".
Anything less is a sophisticated form of digital exploitation.
And an investigation by the Defense Department inspector general — based in part on information Mr. Drake provided — concluded that the agency "may be developing a less-capable long-term digital network exploitation solution" to tap into foreign telephone and Internet traffic.
Adam Crozier, the ITV chief executive, has targeted digital content exploitation as a key growth driver to continue to reduce the broadcaster's historical reliance on traditional TV advertising revenue.
Navigating the world of copyrights is critical but confusing in a time when digital content exploitation is rampant.
The Universal Music Group segment engages in the selling of recorded music, including physical and digital media, exploitation of music publishing rights as well as artist services and merchandising.
Standoffs over media rights have become more commonplace in recent years, although the issue more usually relates to the thorny area of digital media rights exploitation.
