"different voices on" is correct and usable in written English.
It is typically used when discussing multiple perspectives or opinions on a topic. Example: "There were many different voices on the issue of gun control, with some advocating for stricter laws and others arguing for the Second Amendment rights of citizens."
Liberal Democrat deputy leader Simon Hughes admitted there were "two strands of political opinion" in the coalition and so there were bound to be "different voices" on what response there should be to the riots.
He said that the Hong Kong news media should not report different voices on the issue of Taiwan's independence but should make choices based on the interests of the Chinese nation.
I think we're quite challenging in the things that we do … It's very important as a station if people have that perception to challenge it and break down those boundaries and get different voices on air".
Ellington's son, Mercer, said that the trombones were Duke's favorite section, and it isn't hard to see why: in a band of irrepressible personalities, the trombones gave Ellington a palette of three extremely different voices on the same instrument.
Granted, systems in tester cars that the media get to fiddle with have to readjust to different voices on an ongoing basis, which probably makes such testing somewhat unfair, but I'm not talking about recognition software.
The three-dimensional phase unwrapping techniques detailed in [ 50] are used to solve the phase ambiguity problems which appear when calculating arg(E(f a, f m )). Figure 1 shows an example of MS extracted from two different voices on which the voice of a patient with gastric reflux, edema of larynx, and hyperfunction exhibits a more spread modulation energy in comparison to a normal voice.
Eric Packer, the main protagonist in Cosmopolis, speaks in a different voice, one you'd never hear on the street.
There's a different voice on every page and they're all Morgan's.
This stuff couldn't be written, and it's invigorating to hear a different voice on stage: not of crafted artistry but of the performers' subconscious, not set free exactly, but let exuberantly loose on a long leash.
Not deliberately, I swear, but it's still there, sometimes, an awareness that people think I'm smarter than I am because I bullshit with aplomb, the discomforting knowledge that with a different manner and a different voice on the front of the same brain, I might have wound up somewhere different.
These are the philosophical scaffolds holding the paper in place, which help create a distinctive (not better, or worse, but different) voice on a Sunday and build on the paper's legacy and its proud history as the oldest Sunday paper in the world.
