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A curious bit of scheduling has San Francisco's American Conservatory Theater simultaneously staging two very different plays about home and the family values one associates with one's home.
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Now the director of that performance, Jonathan Church, brings us a very different play about Germany in the 1930s: a sober, gripping drama by Mark Hayhurst about precisely what happened to those who did indeed treat Hitler's rise as resistible.
On any given evening in Mumbai there will be about 20 different plays in different neighborhoods and different languages.
"We will play something like 4,000 different tracks a month, commercial radio plays about 400.
These moments almost argue for a totally different play, one about those early productions of the play at Theresienstadt and the people involved.
Different cultures also favour different plays.
But different plays require different styles.
I am currently waiting to hear about two different play scripts, two different pitches to the BBC, two film scripts lost in the bowels of somewhere and the start of the beginning of the commencement of the initiation of thoughts about a telly idea.
"We're talking about different audiences that have different play patterns.
Different playing fields.
Totally different playing partners.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com