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However, this effect was weak in comparison to the impact of the experiment and only affected the differences in audio scores between both experimental contexts toward low audio quality levels (La1 and La2).
The Spectrum was intended to work with a normal domestic cassette recorder, and despite differences in audio reproduction fidelity, the software loading process was quite reliable, if somewhat slow (by today's standards).
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Calls sound good to both caller and the called; one of my calling partners could detect "zero difference" in audio quality between the BlackBerry and the iPhone.
That's a great feature and probably why there's no discernable difference in audio quality when using the ATH-MSR7NC in both active or passive modes.
But consumers may not even notice the difference in audio quality, since AAC doesn't really give you significantly better sound at high bit rates, unlike the MP3 format.
It grew by doing demonstrations to convince the industry that audio cables made a difference in audio quality and by establishing relationships with retailers that were attracted to the cable's profit margins.
Several tests done by audiophile publications, news reporters and academics have conflicting viewpoints on whether more expensive audio or video cables like those from Monster make a difference in audio or video quality when compared to generic cables.
Many reviewers stress in turn that Monster cables are not needed for lower-resolution televisions or over short distances and that the difference in audio quality is not substantial enough.
The interaction was shown to be driven by a much larger JND in the audio noise only synchronous condition than in the pure-tone only synchronous (BF 10 = 29 ± 0%, t(171) = 5.7, p < 0.001) and asynchronous (BF 10 = 580 ± 0%, t(171) = 7.26, p < 0.001) conditions, and also between differences in the audio-only and audio-tactile conditions and tactile-only, asynchronous condition.
Although the major difference is in audio longevity, not video longevity.
Results obtained in listening experiments show that there is no statistically significant difference in the audio quality or location-specificity of audio when the created audio textures are compared to excerpts of the original recordings.
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