Sentence examples for differences between the characters from inspiring English sources

His brooding, bearded countenance plays against Mr. Pitt's gleaming blondness, and the visual contrast emphasizes the differences between the characters.

Regardless of differences between the characters and their makers, a sex scene is the closest thing to an instant X-ray of the filmmaker's innermost fibre.

But Ms. Finneran said her performance in "Annie" would not simply be a re-do of Marge, noting differences between the characters.

Despite the great differences between the characters' initial concepts and the result, Narita is "glad" that these ideas were not used in the finished novel.

The Huffington Posts Laura Prudom applauded the differences between the characters in Storybrooke and their fairytale counterparts; she felt that this narrative device would help prevent viewers from getting frustrated if Snow and Charming grew further apart in one land but closer in the other.

Differences in the history (form and/or intensity) of natural selection acting on eyespot color composition and eyespot size is one possible source of differences between the characters that could influence their responses to antagonistic selection.

Reviews of the play from that time devoted much ink to the similarities and differences between the character and his prototype.

Sturgess turns out to be extremely well informed about the tricky issue of the resemblances and differences between the character of Sir John Falstaff in Henry IV and Sir John Fastolf in Henry VI.

I would recommend playing as Ghost; the only difference between the characters' missions is that Niobe drives while Ghost rides shotgun, and driving is little more than speeding and trying to avoid the police.

One of the primary elements that defines the film and reflects the difference between Stewart's era and today, and the difference between the characters of his generation of drivers and those today, is the element of danger.

The difference between the characters — between Minnelli's fictional one and Hitchcock's wife — is that Alma is an integral part of Hitchcock's work, not just his life partner but his close artistic collaborator, whose contribution to his work is made clear in "The Girl".