Sentence examples for difference of tone from inspiring English sources

Right now, it's a difference of tone more than substance – but an interesting one.

The tricky subject of Labour's relationship with business also exposes a rift, or at best a difference of tone, between the two Eds.

But in a subtle yet potentially important difference of tone that reflects many years of more market-oriented policies in the United States than in Europe or Asia, the Bush administration has repeatedly said that regulation should not prevent banks and other financial institutions from finding effective yet safe ways to meet their customers' needs.

"Che," "The Girlfriend Experience" and "The Informant!," despite obvious differences of tone and narrative structure, make up a fascinating triptych.

The climb becomes a sort of secular pilgrimage, on which you may feel your perceptual ability to register minute differences of tone and texture steadily refined, and your heart ambushed by rushes of emotion.

Erwin Baker New York, June 8 , 2008• To the Editor: Re "One Historic Night, Two Americas" (column, June 8): Frank Rich's thoughtful column regarding the recent primaries underscores the major differences of tone between Barack Obama and the two others, Hillary Rodham Clinton and John McCain.

Soon after the Moscow meeting, a large convoy of Yugoslav troops and armour moved to secure a mountain pass south of Pristina, Kosovo's capital.If one of Mr Milosevic's aims was to divide his western critics, he may yet succeed: there were clear differences of tone in the way western politicians responded to the Moscow talks.

From the blood and guts of the Janáček to the bold, gutsy writing of Martinů's Sixth Symphony, Francis brought a dynamic drive to the proceedings, recognising both the influence of the older composer and the difference of emotional tone implicit in Martinů's subtitle, Fantaisies Symphoniques.

The significant differences are of tone, pace, and object of attention.

In terms of lobbying the government, their difference is more of tone than policy.

All good detective stories offer a pillowy retreat into the rules and reliable expectations of the genre; the only real difference is one of tone: dark or light.