Sentence examples for difference between the stories from inspiring English sources

We were repeatedly shown too that there is a huge difference between the stories told of glorious war and the brutal reality.

There is already a big difference between the stories that Obama and Clinton, respectively, are telling about the state of the country.

The narrative juxtapositions and the riddling starkness of Auster's prose create an absorbing if mildly scattershot effect, breathing life into a meditation on the difference between the stories we want to tell and the stories we end up telling.

There's a vast difference between the stories we hear of eight year olds swapping links to porn clips in the classroom, and teenagers taking their first steps into the sexual arena.

Obviously, there's a world of difference between the stories of Bowe Bergdahl, five years a prisoner of war, and Billy Boggs.

The only real difference between the story she has devised and the one reported in the newspaper is that the newspaper article is unequivocal: There's no question that the Norwegian scientist "manipulated" the data.

He offers the viewer the feel of subjectivity of the experience of a calculation so rapid that it fuses with intuition — and suggests that the contemporary viewer is able to grasp the experience precisely because the difference between the story's two virtual-world geniuses and the regular computer-normative young movie viewer is one of degree, not of kind.

The transformation into narrative is continuously operated and poses the user in a particular situation, in which the difference between the story told and the experienced reality becomes more and more tenuous.

As Laura Poitras' Acadocumentarywinning doCITIZENFOURITIZENFOUR, about U.S. whistleblower Edward Snowden, revealed, the ability to communicate securely can make the difference between the story of a lifetime and a source simply passing you by.

Then, just as an evolutionary biologist compares physical traits between organisms to measure their similarity, he scored the differences between the stories using 72 plot points, such as who played the villain, what trick the villain used, and how the story ends.

Discussions following the role-plays, during which facilitators discussed how realistic the storylines were, were then analysed to confirm unifying elements, or resolve differences between the stories.