Sentence examples for difference between the character from inspiring English sources

(Side note: Yes, we know the cartoon Pooh bear was referred to as male, but there's a difference between the character and the original bear).

Turturro was the only member of the production who read Odets Journall, however, and the Coen brothers urge audiences to "take account of the difference between the character and the man".

Although nearly all the isolated and resuscitated epithelial cells in our study were positively-stained with anti-vimentin antibody (Fig. 4c,d), there was significant difference between the character of anti-cytoskeketon18 and anti-vimentin.

Most likely, this is due to the difference between the character of the intervention in Guatemala, which was well-known to the community and locally created, and the intervention in India, which while vetted in the community was an engineered object brought in from elsewhere.

I would recommend playing as Ghost; the only difference between the characters' missions is that Niobe drives while Ghost rides shotgun, and driving is little more than speeding and trying to avoid the police.

One of the primary elements that defines the film and reflects the difference between Stewart's era and today, and the difference between the characters of his generation of drivers and those today, is the element of danger.

The difference between the characters — between Minnelli's fictional one and Hitchcock's wife — is that Alma is an integral part of Hitchcock's work, not just his life partner but his close artistic collaborator, whose contribution to his work is made clear in "The Girl".

Watching Saoirse Ronan as Lady Bird, alongside co-stars Laurie Metcalf, Timothée Chalamet, and Tracy Letts, bicker, bond, dance, and scream, it's difficult to believe there's a difference between the characters these actors play and who they really are.

Shots of Bowden's reaction are from a low angle, which reflects "the sexual difference between the characters"; Bowden is masculinized as "the bearer of the [sexual] gaze", and Dussander is feminized as "the object of the gaze".

The poet does, however, understand the temporal difference between the characters of ancient Greece and his own as he declares, "even in these days I see, and sing, by my own eyes inspired" (lines 40 43).

Note the difference between the characters'voices'subtlebthoughough they are.