Sentence examples for dialogue refers from inspiring English sources
Midcentury modernist in many of its design decisions, "Fantasia" slips into postmodernist collage in its construction, while its lack of dialogue refers back to the cinema's silent roots.
Tasha, "an untraditional Jewish mother with traditional values," in the playwright's description, is a leftover hippie of sorts, a woman who takes dance classes and wears skirts over black leotards -- the dialogue refers to tie-dyed shirts, though we don't see them -- and celebrates, as she puts it, "life life life".
At times, The Past plays like an emotional whodunnit, replete with an all-but-dead body (the subtitled dialogue refers repeatedly to Céline's "suicide" rather than "attempted suicide") lying in the hospital while the finger of suspicion and/or blame points to each character in turn.
Intercultural dialogue refers to the meeting of ideas, values, symbols and arguments, whilst intercultural contact refers to the meeting of real people in specific physical places.
In the next scene Ivonne Batanero, her face still coated with cream, joined Mr. Campos to mouth dialogue, referring to the Rachmaninoff music, from "The Seven Year Itch": "It makes me feel goose-pimply all over".
Black women have to be valuable"—but for the most part, Atlanta tells entire stories with a single line of dialogue (referring to Van's hair, Jayde remarks, "It's cute looks better than last time," and we immediately understand the nature of their friendship) or a look (Van's tight smile, hinting that she's not saying everything she really wants to).
The imitative technê will have many manifestations, including those legitimate practices that the Statesman and other dialogues refer to; but the real work of mimêsis, the one that is worth defining and applies to dominant art forms, is mendacious impersonation.
Later in the same dialogue, Lucius refers to a brightness that appears around the Moon's rim in total eclipses of the Sun.
Mr. Oboler's moon-mission crew, imagined when Eisenhower was president, consisted of six men, of course, but Adam Levi and his co-director, Kaitlyn Samuel, have casually cast a couple of women in male roles without bothering to change character names or alter dialogue that refers to "he" or "him".
However, no character dialogue explicitly refers to the aircraft by the full name "Tiger Moth".
Mr. Gibson a few weeks ago reportedly expunged an especially provocative line of dialogue that referred to the Jews: "His blood be on us, and on our children".
