Sentence examples for dialogue focusing from inspiring English sources

After several years, business leaders stopped attending because the increased participation of designers changed the dialogue, focusing not on the need for collaboration between business and design, but rather on the business community's failure to understand the value of design.

In addition to being critically acclaimed and commercially successful, Mullum Malarum became a milestone in Tamil cinema in that it discarded the traditional melodrama, fights, duet songs or excessive dialogue, focusing on the visual aesthetic and realism.

All participants will receive 'Health Guidance', a (90-minute) individualised dialogue focusing on improving life style, based on assessments of risk behaviour, on motivation for change and on personal resources.

The key is to set aside sufficient time with resident and preceptor to review the video interaction in detail, stop and start the interaction frequently for reflection and skill assessment, and construct a dialogue focusing on reinforcement of skillful performance and opportunities for performance improvement.

Let's keep this dialogue focused on the facts, and lose the hyperbole and fear-mongering.

Dialogue focused on Iran's nuclear program or on Iraq alone will not work.

It's becoming increasingly impossible to divide this blog up into cops and robbers, good and bad, and much of the dialogue focused on the blurriness of the distinction, so this week I'm taking a broadly chronological approach.

This year the fourth annual dialogue focused on examining the role of the informal sectors in promoting growth, jobs and sustainable development, improving trade to create jobs through value chains and achieving tax transparency standards in international financial centres.

With boards, too, aware of the new demands, the potential asking price of a well-respected finance executive will rise.This Executive Dialogue focuses on the new demands being made on finance executives and the relationships they have with their colleagues, their board and their public.

Elsewhere the dialogue focused on arseholes and Osso Bucco: "I'm having Osso Bucco".... "It's an old Italian dish", "I didn't know arsehole was Italian", "Yes, but on the other hand, what's the Italian for arsehole?" The actors began to camp up their delivery.

Dialogue focuses on what Freire called "codifications," which are representations of the learner's day-to-day circumstances (Ibid, 114 and passim).