Sentence examples for developments in style from inspiring English sources

Although gifted with a superb traditional training, Ligeti was almost totally ignorant of recent developments in style and technique, as all non-populist contemporary music was banned by the communist regime back home.

Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century.

What makes this one exceptional is not the visual content (some illustrations are exclusive to this volume, yet there is still considerable duplication); rather, it is the integration of critical art history and design, focusing on developments in style, form and technology.

Key to this sequence is the Codex Amiatinus, an almost complete Bible for which we have a very precise terminus ante quem, and within which, because of its size, developments in style can be seen in a single manuscript.

In late 18th- and 19th-century Europe, there was hardly any further development in style or technique.

Giacomo della Porta, (born c. 1537, Rome, Papal States [Italy] died 1602, Rome), Italian architect whose work represents the development in style from late Mannerism to early Baroque.

In so short a career there was little development in style between the earlier and the later works, but 1647 seems to mark a peak in his achievement, for many of the finest paintings bear this date.

C. 1537 Rome, Italy 1602 Rome, Italy Giacomo della Porta, (born c. 1537, Rome, Papal States [Italy] died 1602, Rome) Italian architect whose work represents the development in style from late Mannerism to early Baroque.

Perhaps because a vigorous line of Italian composers of violin music followed him, he is commonly accorded the main credit for late 17th-century developments in sonata style.

Two developments in musical style in the 20th century have placed great strain upon staff notation: integral serialism in which the music is controlled by a mathematical system and indeterminacy, or chance music.

She sees this shift as starting not in the 1980s but in the mid-1970s, when key developments in artistic style, art-world structures, and consumer culture converged to radically alter the course of American art.