Sentence examples for development of the fictional from inspiring English sources
Author gives samples of situations from these pamphlets & imagines the further development of the fictional characters aided by the Bank of New York in them.
"First Flight" showed a previously unseen period in the development of the fictional warp drive, with the pursuit of the warp 2 barrier.
These supplements to the franchise resulted in significant development of the series' fictional universe, keeping the franchise active in the 16-year interim between the two film trilogies.
A serious writer working in a field that is seldom taken seriously, Butler addressed biological control, gender, humanity's relationship with aliens, genetics and even the development of a fictional religion.
"Space," an extravaganza that cost more than $30 million to produce, recounted the development of the space program, with fictional characters based on real-life astronauts like Alan B. Shepard Jr. and John Glenn, scientists like Wernher von Braun and NASA officials like Chris Craft.
Better Off Ted focuses on the protagonist, Ted Crisp Jay Harringtonn), a single father and the well-respected and beloved head of a research and development department at the fictional, soulless conglomerate of Veridian Dynamics.
Jayyusi provides biographical information on the writers as well as a substantial and illuminating introduction to the development of modern Arabic fictional genres that considers the central thematic and aesthetic concerns of Arab short story writers and novelists.
Lydia Nicholas's description of the relationship between Douglas Adam's fictional Hitchhiker's Guide and the real life development of the iPad shows how science fiction can effortlessly influence the development of new technology.
The writings provide an interesting overview of the creative process and development of poetry and fictional short stories and novels.
Bonneville plays Ian Fletcher, head of the (fictional) Olympic Deliverance Commission.
But there is a similar argument that does not rely on a parallelism between fictional works and fictional characters, but on the fact that the identity conditions of the fictional works refer to fictional characters.
