Sentence examples for development of concert from inspiring English sources

Exact(1)

He played a leading role in the development of concert video, working with directors, lighting and set designers and major artists to put ideas into practice.

Similar(59)

His extreme stagefright and odd mannerisms hampered the development of his concert career, but he became a cult figure in New York music circles.

Originally known simply as the Goldman Band, this ensemble, founded in 1911 by Edwin Franko Goldman, is still revered as one of the pioneering forces in the development of the concert band repertory.

Originally known simply as the Goldman Band, this ensemble, now 90 years old, was once widely renowned and is still revered as one of the pioneering forces in the development of the concert band repertory.

Originally known simply as the Goldman Band, this ensemble, now more than 90 years old, is still revered as one of the pioneering forces in the development of the concert band repertory.

He complimented O'Brien's writing style, especially the portions chronicling the death of Madonna's mother, as well as dissecting the recording process of the albums and the development of her concert tours.

Obviously the development of major concerts at the Stadium of Light was a breakthrough in promoters recognising Sunderland as a city to host national and international artists.

Sunderland City Cllr John Kelly is quoted in the article as saying: The development of major concerts at the Stadium of Light was a breakthrough in promoters recognising Sunderland as a city to host national and international artists.

Recent years have also seen the development of major concerts in vineyards in communities like the Hunter valley in NSW, where people come to hear the music and stock up on local wines on their way home.

Although promoters do not produce tumours directly, they are still considered carcinogens because they can lead to the development of tumours in concert with an initiator.

The same phenomenon can be seen with the nation-state, which in many Latin American countries supports the development of conservatories, orchestras, concert seasons, and the research of folk and indigenous music, but rejects any support for popular music, considering it as decadent, commercial, and full of foreign influences.

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