Despite a superficial resemblance to cinema, television both requires and fosters its own methods of character development, plot exposition and audience retention.
The basic elements of sonata form are three: exposition, development, and recapitulation, in which the musical subject matter is stated, explored or expanded, and restated.
Nevertheless, the vocabulary of exposition, development, recapitulation, transition, and so on is capable of wide application and will simplify the remainder of the present section.
His later sonata-form compositions in all instrumental genres when they follow the rough traditional scheme of exposition, development, and recapitulation modify it substantially.
The first movement loosely follows a sonata structure of exposition, development, and recapitulation, and it appropriates themes and rhythms from the popular "Charleston".
Second, the piece, which lasts half an hour without a break, manages to follow two structures simultaneously: viewed from one perspective, it unfolds in three (or maybe four) movements; seen a different way, the whole piece is a single vast movement, following the classical sonata model (exposition, development, recapitulation).
The way in which Antiochus appeals to human nature and its development in the exposition and defense of his ethics is modeled closely on Stoic theory, however.
With this metafunctional orientation, system networks became instruments for revealing the organisation of the meaning potential of language, leading to the second major development in the exposition of the relations of text and context.
Musicologist Ortrun Landmann has suggested that the formal scheme for Part II, after the orchestral introduction, is a sonata plan without the recapitulation, consisting of exposition, development and conclusion.
There is no exposition or development of themes, no clear formal structure.
Normally a cadenza comes only after exposition and development have prepared the audience for an eruption of virtuosity.
