Sentence examples for develop strangely from inspiring English sources

Exact(1)

Characters tend to develop strangely (or not at all); settings are sometimes created from a fusillade of petty-seeming details that can collectively avoid a straightforward accounting of the basic proscenium stage of action.

Similar(59)

The game developed strangely.

Our lives since have developed strangely in tandem – we both went to university in the north, then moved to London for work and finally to New York, where we teamed up to create the business.

In fact in recent days he has found himself developing strangely human traits: for the first time in his life, he has begun having dreams -- nightmares, really -- when he goes to sleep, and he has begun to suffer, as all humans do, from inchoate feelings of yearning and loss.

If the opera is not equal to Mozart's mature masterpieces, its hours of solo showpieces — some fiery, some reflective — can be mesmerizing, developing a strangely satisfying rhythm.

"Dr. T" concerns little of importance, yet it develops a strangely apocalyptic tone....Some of the women are so giddy that they seem to have stepped out of an Almodovar comedy, but with this crucial difference — Almodovar loves women and Altman, from the evidence of this film and others, such as "The Player," does not.

But his photographs developed a strangely sunny, almost utopian fantasy world -- a "no place" where boys would be boys and good cheer was their norm.

People start camping out on his lawn to learn more, so he develops a strangely familiar story about the "Man in the Sky," who does all these mystical things, and is kind and wonderful.

He's optioned "The Gunslinger," and his production company, Bad Robot, is reportedly in talks to develop "11/22/63," King's strangely moving novel about a man who travels back in time to kill Lee Harvey Oswald.

What appears, at first, to be a patient tolerance for Oxenberg's cameras develops into something strangely and passionately symbiotic: as Oxenberg asks Mae speculative questions (as about the afterlife), Mae—one of whose lifelong torments, Oxenberg says, was the failure of those closest to her to pay attention to her blossoms, despite her frailty and her pain, in the spotlight.

What appears, at first, to be a patient tolerance for Oxenberg's cameras develops into something strangely and passionately symbiotic: as Oxenberg asks Mae speculative questions (as about the afterlife), Mae — one of whose lifelong torments, Oxenberg says, was the failure of those closest to her to pay attention to her — blossoms, despite her frailty and her pain, in the spotlight.

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