Sentence examples for destructive fate from inspiring English sources

In order to avoid such a destructive fate, other nations like India, Russia, Japan, Australia and Canada will all have to step to the plate.

In order to temper such a destructive fate, governments have pledged to sign a deal to rein in their emissions by the time they gather in Paris this December.

While most of the nude Donald Trump statues that popped up around the country earlier this month suffered the same destructive fate as the one in New York's Union Square, the lone surviving statue will be auctioned off in Los Angeles this October, Reuters reports.

I've thrown in a couple of notable tech items that could pop up, but am mostly focusing on the interesting foibles and show mechanics that are worth keeping an eye on as CES marches on towards in inevitable E3-like self-destructive fate.

Jan Zamoyski, the head of one of Poland's richest and most powerful noble families, whose life reflected his country's turbulent and destructive political fate in the 20th century, died on June 29 in Warsaw.

We look to them for self-awareness and for traction -- for signs that the operating system can receive sufficient feedback to avoid the self-destructive explosive fate Tinguely sometimes planned for his exploding mechanical sculptures.

Having framed his book as a quest to understand Russia's demographic ills, Bullough tries too hard to wrap it up neatly, suggesting that Father Dudko's fate can explain self-destructive behavior today.

Years later the traveler, now middle aged yet still dissatisfied by his inability to engage meaningfully with others, discovers that he is powerless to alter the fate of a self-destructive friend.

The longer answer is that politics and tax policy have a uniquely destructive relationship in this state, and that the fate of one piece of fiscal legislation will do little to change that.

The "horribly appropriate" fate of the "beautiful, willful, complicated, destructive and doomed" princess is then used as an emblem of the deterioration of the England of James's childhood.

The O'Neill woman — as seen in later works like "Strange Interlude" and "Mourning Becomes Electra" — is often rendered as the Other, a destructive and unknowable figure as capricious and relentless as fate.