I have no desire to shoot a film with my cell phone, I think it's a cliché.
Most of us harbour a desire to shoot off to the seaside when things get hot and crowded in the city.
From my dizzy vantage point (high as a kite), I believed I could see right through him to his vindictiveness, his desire to shoot me down when I was flying.
In other words, he is the sort whose self-loathing can lead to self-aggrandizing, whose desire to shoot the Jew-hating Cossacks of yore could make him an especially unpleasant Israeli soldier.
The visual echo is a fitting one, since, whatever the private impulses that fired this work, there is no doubting Soderbergh's desire to shoot at ground level — not to linger on the loftiness of political ideals but, instead, to get down amid the dirt, sweat, and despair of putting them into practice.
Rather and quite simply, without any political statement for or against gun control — in Texas, they say, gun control means using both hands — or any desire to shoot defenseless animals, I wanted to learn how to handle a gun and see what it took to be licensed to carry one.
And though his central thesis – that the American dream has become, get this, an American nightmare – looms large over proceedings, Lost River is driven less by its politics and more by a desire to shoot as much of the film as possible in slow-motion under a neon striplight.
Today, in an online chat with Le Monde readers on the occasion of the director Claude Chabrol's death, the critic Jean-Luc Douin, asked about films that "Chabrol would have wanted to make and that he couldn't shoot for one reason or another," dishes out a juicy morsel: He told me a few years ago of his desire to shoot one last film before dying.
Of course, sometimes it is the desire to shoot film that takes the photographer down this route, or to rediscover something of their own past.
If you have a desire to shoot immersive video and possess a ton of disposable income then there's nothing stopping you!
