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Gary Gordon, a lighting designer in New York, has designed lighting for a lot of high-stakes, look-good situations: the art dealer Larry Gagosian's house and galleries; the cosmetics empire Estée Lauder's executive offices.
For many years he designed lighting for the Main Line Playhouse productions.
After it, too, closed, he designed lighting for other clubs and pursued silk-screening and other artistic interests.
He designed lighting for several MIT music ensembles' performances for four years before joining the Festival Jazz Ensemble on percussion this year.
One reason was soon apparent; the installation, by Roderick Murray, who also designed lighting that enveloped the space in a luminescent glow, was a large oval bed of rubber mulch.
Ken Posner, a Purchase graduate who designed lighting for the Broadway show "Hairspray," said he was not upset that the actors and musicians and set and costume designers get all the applause.
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He started designing lighting 20 years ago in Texas, after working briefly in the oil business.
Howard Harrison designed lights and Paul Groothuis was sound designer.
Perhaps his busiest period was 1970 to 1974, when he designed lights for 32 Broadway productions.
Quantum optics with quantum gases: Controlled state reduction by designed light scattering.
The bottles smash fantastically, artfully designed lights flash, and no one is harmed.
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CEO of Professional Science Editing for Scientists @ prosciediting.com