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Lizzie Clachan's design sets the tone.
The Met recruited visual artists like Marc Chagall and David Hockney to design sets.
Miriam Buether's innovative, all-encompassing design sets the beat to which the action moves.
Jon Bausor's bold, dark design sets up the audience for confrontation from the beginning.
Journey's visual and sound design sets new standards for interactive entertainment.
Pamela A. Prior's 19th-century-style costume design sets the show's tone.
Their search ultimately leads them to Hollywood where they design sets for films of D.W. Griffith.
Jane, an American bistro with a modern design, sets out toasted pumpkin seeds at its concrete bar.
Connie Singer's design (sets and costumes) takes a symbolic approach to the desert, using dropcloths to simulate sand.
Miriam Büther's design sets the opera in the dining room and kitchen of a Chinese restaurant, one where severed heads are served up on silver platters.
He painted portraits, illustrated textbooks, and helped design sets for the Metropolitan Opera and Hollywood films, and also executed post-office murals for the Federal Arts Project.
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CEO of Professional Science Editing for Scientists @ prosciediting.com