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The earlier years of the Tokugawa period saw a considerable Chinese influence in the design of lacquer, especially in inro; but the work of the greatest Japanese lacquer artists, Ogata Kōrin, followed and extended in the late 17th century the style originated by his master, Kōetsu.
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Michinaga (1410 78) was a personal attendant to the military ruler Ashikaga Yoshimasa and excelled in two techniques of lacquer design.
Apply the design with a stencil before reapplying a topcoat of lacquer.
Use stencils or draw the design by hand using paint, then apply a final topcoat of lacquer over the image.
A vase designed by Christian Tortu is made in Vietnam of bamboo and many coats of lacquer.
Every phrase gets a brush of lacquer.
Luckily, a layer of lacquer protected what was under it.
"I wanted to get the effect of lacquer," he said.
In usugai-hō, a technique using thin shell, shell pieces are cut into designs by means of a knife or needle and are glued on after the surface has been given two coatings of lacquer.
The uses of lacquer in Europe reflect the changing tastes of the 17th and 18th centuries.
Finally, a layer of lacquer is applied before a last baking.
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