Sentence examples for design and texture from inspiring English sources

In contrast, composers, especially the great ones, have shown more interest in the horizontal aspects: the movement of the individual melodic lines and long-range relationships of musical design and texture, the balance between vertical and horizontal forces, existing between these lines.

Ladies' magazines described its use well throughout the late 19th and early 20th centuries, "The new ginghams, beautiful in color, design, and texture, make charming house gowns, which are unlined and constructed in simple fashion so that they may be easily laundered" (Dainty summer gowns 1898, p. 295).

Macrame wall hangings are a simple and easy way to add design and texture to the space above your bed.

A few large displays capable of revealing the full power of the graphic design and textures deployed here would have given Game Story some additional depth.

The house was built as a hybrid of Arts and Crafts and Art Deco styles, in 1937, and it has been decorated in such a way as to offer interested visitors lessons in history, design, color, pattern and texture.

The results demonstrated the effectiveness and robustness of our approach to different experimental designs and texture images.

Instead of stilted backgrounds, limited mobility and cartoonish characters that typified many computer games on the market just a couple of years ago, a whole new class of games is displaying increasingly movielike design, tone and texture.

This is essentially the same procedure as conventional stencilling except that with silk screen more complex designs and textures can also be stencilled on the plate (see below Stencil processes).

To lighten the visual impact, the architects varied the shape, glass designs and textures to emphasize the building's open, translucent qualities rather than its height.

If we did, we'd notice that it sometimes produces designs and textures that are rather exquisite; reminding us that nature is a true design genius.

It was not until the first quarter of the 20th century that a master craftsman-designer gave impetus to a new conception of design forms and textures.