Sentence examples for descriptive note from inspiring English sources

"descriptive note" is correct and usable in written English.
You can use it when you want to provide a concise description of something such as a person, place, or object. For example, "She wrote a descriptive note about the painting to explain its unique style."

Exact(1)

They indicated the place on page layouts where illustrations were to be added after the text was written, using a light sketch or a descriptive note jotted in the margin.

Similar(59)

"I want to be able to check on length and sequence of selections, and to correct copy on descriptive notes.

By E. B. White The New Yorker, January 23 , 1932P. 9 Descriptive notes on the Greenwich Village Ball in Webster Hall after leaving the Empire Room of the Waldorf Hotel.

Its dedication aside, the work has no overt program, and the composer's own descriptive notes are little more than a structural road map.

The Guatemala experiments came to light only last year when a medical historian found descriptive notes in the archives of the University of Pittsburgh.

The film was a success, as was its relatively unknown star, Sean Connery, who balanced those descriptive notes beautifully, particularly in the first film and its even better follow-up, "From Russia With Love".

This systematic approach resulted in 1868 in a groundbreaking two-volume publication: "Photographic Views of Japan With Historical and Descriptive Notes, Compiled From Authentic Sources and Personal Observation During a Residence of Several Years".

Man-made works such as highways, railroads, and canals are usually labeled in slope Gothic capitals, but other distinctive styles are often used for these, together with descriptive notes.

Among Lefèvre's students, his manuals with their epitomes, paraphrases, and short descriptive notes defined philosophical study at the Collège du Cardinal Lemoine, and he began to be treated as an exemplar of method.

Themes in the landscape were recorded in the form of descriptive notes throughout the navigation process and, adapting the Parkhill et al. (2014) approach to qualitatively understanding energy and landscapes, developed iteratively based on relationship to ideas and themes identified in the underlying literature on Fukushima radiation.

The writer has obviously internalized Smith's work and honors its spirit through precise, descriptive notes and observations.

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