Sentence examples for descriptions off from inspiring English sources

This is important, as some people search only by pictures and either turn the descriptions off, or don't read them.

It then sends the photos and the accompanying descriptions off to its catalogue printer in Hanover, N.H.

Get some job descriptions off the internet to see how closely you match some of the jobs and you may find that there is a reason why you are not being selected.

The app has the ability to share 3D fly-throughs of any ski descent on the mountain, find the sunny slopes, consult detailed route descriptions off all piste and off-piste lines, locate family and friends through real-time location.

The city-state's authoritarian and austere reputation made it difficult to shake the description off; Creative Review hailed it as "famously damning", while The New York Times associate editor R.W. Apple, Jr. defended the city-state in a 2003 piece as "hardly deserving of William Gibson's woundingly dismissive tag line".

Politicians and civil-rights groups across the US expressed shock upon hearing descriptions of off-the-books interrogation at Homan Square, the Chicago warehouse that multiple lawyers and one shackled-up protester likened to a US counter-terrorist black site in a Guardian investigation published this week.

The ribbing and flirting and descriptions of day-off outings that peppered the conversation led, inevitably, to a question: Are Peter and M. J., whose relationship is newly front and center in the musical, dating in real life?

Perhaps the strongest parallel between film and real life stems from Dampier's informal connections with distinguished fellows of the Royal Society, such as the diarist Samuel Pepys and the botanist Hans Sloane, who marvelled at his detailed descriptions of far-off places.

In this case, computing estimates of capacity allowed for precise descriptions of trade-offs observed between the two tasks.

Better to give the names and simply add the descriptions, set off with commas — "two convicted Iranian activists: Nasrin Sotoudeh, an imprisoned lawyer, and Jafar Panahi, a formerly imprisoned filmmaker".

The landscape of the text itself is as alive and cryptic as the world it describes (or fails to describe): Jagged edges to the broken paragraphs climb down through single words stacked into columns sometimes in all caps and sometimes italics, ornate descriptions clipped off in mid-sentence, questions asked and immediately discarded.