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Even Keats, another great working-class English poet of the day, thought that "the Description too much prevailed over the Sentiment".
The text on the site read: "Description: Too much time has passed without sending any data for document".
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Be specific when you are describing a character's clothing, but don't repeat descriptions too much in the narrative.
He has an eye for a catching quote or a moving description, but too much of the book reads like a cut-and-paste job.
Conveniently, Russia's Constitution puts the prime minister in direct line to succeed the country's president, should that job description prove too much for Mr. Putin's successor to handle.
Obama's description smacks too much of American exceptionalism and the country's wishful self-image as the "Land of the Free" standing up for liberty wherever it is threatened.
I like some description but not too much of that.... Sometimes I want a book to break loose with a bunch of hooptedoodle.... Spin up some pretty words maybe or sing a little song with language.
While the use of description can allow the reader to picture a scene, too much description can make the story seem slow and boring.
Not too much description, though.
Art books are often hopelessly unbalanced – too much description of pictures that we cannot see.
If you think of your unfolding novel as a film being privately screened inside your head, it will help you to establish the setting with enough but not too much description, like the mise-en-scène of film, and to vary the pace of the narrative.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com