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Bleiler describes the artwork as crude and "far inferior to the sometimes elegant work" of Alex Raymond, the creator of Flash Gordon.
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Blomkamp described the artwork as taking "a mental stroll into the world Ridley Scott created".
In one of her last e-mails, Young described the "artwork, a film" that Malcolm was making.
The 62-year-old described the artwork in his resignation letter as "a useless, immoral and ugly thing... a penis that disfigures the city", reports La Stampa.
Stage designer Tom Piper, who helped create the poppy installation, said the Queen described the artwork as "impressive".
Rap-Up magazine described the artwork as "grown and sexy".
AOLs Contessa Gayles described the artwork as a "mysterious night-crawler".
Digital Spy's Lewis Corner described the artwork as "[representing] a phoenix who rises from the ashes".
Nicole Eggenberger from OK! described the artwork as a perfect balance between the singer's "wild side" and her "glamorous" looks.
A columnist for the Santa Fe Reporter later described the artwork as "totally cool, with a blocky style depicting some kind of Miami soul food/taco stand".
Critics have described the artwork as "keeping up the standards expected of Clamp" with its high level of detail, though perhaps too much detail, especially during action sequences.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com