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It describes characters that represent the realization of our fears of the future.
Some of these anecdotes feel thin, but things pick up when Aldersey-Williams describes characters who get deeper under our skin.
This tightly focused chamber score describes characters and incidents from the opera, which mixes elements of Kafka's biography with the plot of his 1925 novel, "The Trial".
As he travels out of China, he notes that "everywhere along the Silk Road genetic confusion reigns" and he describes characters "living in a world of selective truth".
Like Huxley, DeLillo describes characters so distracted by the products in the supermarket, by goofy entertainers (Elvis Presley in White Noise), and by unstoppable media saturation, that they don't even notice their own slavery.
Each of his albums since then -- "Ghosts Upon the Road," "Memory of the Future" and "You Can't Relive the Past" -- describes characters who inhabit a landscape of alluring and sometimes dangerous specters, whether former lovers ("Belgian Bar") or neo-Fascist yearnings that pulse restlessly under the surface of modern-day Europe ("Rain Falls Down in Amsterdam").
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Amber and Kyle are both really well described characters as well.
If you demand meat-and-potatoes songs that describe characters, situations and events, "Phantom Moon" will seem maddeningly indirect.
We use the phrase "cartoon cutout" to describe characters who lack the rich individuality of well-rounded literary creations.
Like his other novels, it is a work of great violence, describing characters of unbridled instincts and passions.
The following names are semi-standard; if an implementation supports them, they should be used for the described characters and no others.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com