Sentence examples for described superficially from inspiring English sources

Exact(2)

Although only described superficially, these regulations can help to compare and evaluate diverse forms of future studies as scenarios, prognoses or risk analysis roughly from different points of view.

Causes were often described superficially; this may be related to the use of quantitative surveys and observation methods in many studies, limited use of established error causation frameworks to analyse data and a predominant focus on issues other than the causes of MAEs among studies.

Similar(58)

It describes superficially the protocol itself, and is more focused on an actual implementation of the protocol than the analysis of the operation of the protocol.

In the comparison countries, the main project was described only superficially, but the purpose of the visit and the interview (to obtain comparative data and gain a better understanding of the principles of research regulation) was explained.

We found that in addition to issues of resource allocation, there exist many areas of ethical importance to clinician managers in the ICU that have been described only superficially.

Others such as Susanne Kord and Elisabeth Krimer note how Cordelia is also a subversive representation of feminine stereotypes, describing "Although superficially, Cordelia conforms to the stereotype of the insensitive bitch", what she actually does is "offers her viewers the clandestine pleasures of female self-assertion".

The approaches adopt an overview strategy that is superficially described as 'fingerprinting'fingerprinting

However, most retrospective studies had limitations: for example, they were small, excluded patients who tested positive for other viruses, only superficially described the clinical features of the disease, and lacked data on illness severity and death.

His work might, superficially, be described as a cross between Richard Diebenkorn and Edward Hopper.

Lord Oakeshott, who is close to Cable, described the idea as superficially attractive, but unworkable.

They have been described as being based superficially on either the fugue or the sonata-allegro form, but they differ from the normal application of those forms in that the exposition and development of themes are guided not by conventional tonal principles but by the way the themes, in the words of the musicologist Simon John Abrahams, "battle with each other for domination of the texture".

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