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When Clark describes a sunset "as red and yellow and orange and gold as any painter or poet ever described it," it's a neat way of avoiding a sentimental cliché, but too much of this kind of thing makes you wish he'd take a bigger risk and, say, describe a sunset.
How do you describe a sunset to someone who's never seen one?
It's like trying to describe a sunset over a Hawaiian beach on MDMA on NYE with the one you love.
Created after visiting Kauai and staring West into the Pacific quite a bit during sundown It intentionally uses simple graphical elements to visually describe a sunset seascape ever changing in its sameness.
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He is too consumed with the challenge of describing a sunset.
Don't describe a purple sunset, make me see that it is purple.
But by frequently employing phrases like "I'm not inventing this" and — after describing a vivid sunset — "it really was, this isn't a mere literary afterthought," he manages to cast doubt over even the things of which he seems most certain.
He wrote about sleeping under the stars, and described how a sunset in Utah made him miss his family and wish he could be with them.
They might describe a drive along the Pacific Coast Highway, a lingering sunset or laughing with loved ones.
This version, the most colorful of the four, has a frame painted by the artist with a poem describing a walk at sunset ("I felt a whiff of melancholy — I stood/Still, deathly tired") that inspired the work.
It is the most colorful of the four, and the only version whose original frame was hand-painted by the artist with a poem describing a walk at sunset ("I felt a whiff of Melancholy — I stood / Still, deathly tired") that inspired the painting.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com