Sentence examples for depiction of light from inspiring English sources

Snow's pose and McGinley's depiction of light in motion give the image a sense of ecstatic pace.

The authors insist that Michelangelo, a master of the depiction of light, could only have done this to draw attention to that part of the painting.

Although Kensett never lost the engraver's sense of draftsmanship in his paintings, he focused most of his attention on the depiction of light, using colour values to render minute gradations in intensity (e.g., Storm over Lake George, 1870).

In discussion, his deep interest in art, in the depiction of light and space, his readings in philosophy, his encyclopedic knowledge of architectural sources, historical and contemporary, revealed how profoundly his own work was based.

Togetherness In his time, which was the Renaissance, the artist known as Correggio (circa 1489-1534) was renowned for the magical talent he brought to the depiction of light and shadow in his paintings and drawings, especially for the technique called sfumato, a seamless blending of tones in the manner of smoke.

This could be exquisitely handled drapery, a unique softness of expression or a masterful depiction of light.

The assonantal echoes in the opening lines ("white", "wakened", "brightness", "faces", "angels") help recreate in audio Blake's chiaroscuro effects, while the rhythm suggests the fluency of line in the painter's depiction of light-catching cloth and flaring wings.

While it is fascinating to pore over engravings of 19th-century Russian palaces, I'm mesmerized by the way J.M.W. Turner turned the grand interiors of Petworth, the stately English house, into moody depictions of light and mist or edouard Vuillard's rendering of his family's domestic milieu as a controlled riot of tone and pattern.

Oil enables differentiation among degrees of reflective light, from shadow to bright beams, and minute depictions of light effects through the use of transparent glazes.

Today Madonna in the Church is widely considered one of van Eyck's finest; Millard Meiss wrote that its "splendor and subtlety of [its depiction] of light is unsurpassed in Western art".

Rembrandt, Rubens, Caravaggio and Velazquez for the first time practised the depiction of artificial light.