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The uncompromising concentration on the principal character's viewpoint no one else's letters are communicated to the reader permits the depiction from within of emotional and intellectual disintegration and partly accounts for the strength of the public reaction.
On the contrary, he said, the Cubist perspective, with its emphasis on spatial depiction from simultaneous multiple vantage points, marked a singular return to realism after the misty prospect of Impressionism.
I wonder about the distortions arising from each successive phase of the depiction, from the actual person to McMartin's perception of him, from that perception to the writing, and from the writing to the film's realization.
More realistic ones include a finely drawn modernistic depiction from 1929 -- done in iron, an unconventional material then -- of an attractive young artist, Marion Greenwood, whom he met in Paris.
To mention a few: "Olympia Deserted by Bireno" by Jacques Stella (1596-1657), a lush but sad depiction from Ariosto's "Orlando Furioso" with a zaftig Olympia who lies snoring as her lover sneaks away to rejoin his ship.
During Friday's segment on the "Today" show, in which the NBC special correspondent Jenna Bush Hager joined her father, former President George W. Bush, for a tour of an exhibition of his never-before-seen paintings, the two came upon a self-portrait — not the infamous one of Bush in the bathtub, but a more conventional depiction, from the shoulders up.
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Why have they protested about such depictions, from Friedkin's movie until now?
The earliest known chariots, shown in Sumerian depictions from about 2500 bc, were not true chariots but four-wheeled carts with solid wooden wheels drawn by a team of four donkeys or wild asses.
President Nicolas Sarkozy of France said on television that Mr. Chabrol "took the finesse of his social depictions from Balzac," and "his humor and vividness he got from Rabelais," adding, "But he was most of all himself in his films, as in life".
There have been and still are thousands of assumptions of arms by Americans who buy cheaply produced depictions from mail-order firms and in shopping malls, seemingly in the erroneous belief that every surname has its own coat of arms ("names" do not possess arms), but these transactions have no justification in either law or history.
"Empire" may be the latest effort to bring street riding's ineffable thrill to the screen, but it joins a growing number of similar depictions, from features like "2 Seconds" (1998) to documentaries like "Pedal" (2001) to the ubiquitous rider clips on YouTube, both jokey ("Performance," "All You Haters") and seriously dangerous.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com