Tubman's image on the $20 bill is hugely significant when we consider that practically all previous images of African-American women and men depicted on U.S. paper currency were stock images of nameless slaves.
The posters are just that, a researcher's notable work depicted on one large sheet of paper and displayed on an easel.
The Nazi swastika faces in the opposite direction, and is the mirror image of the swastika depicted on the wrapping paper.
Some of her drypoint works, depicting water on paper, are on view at the Tate Britain, along with works by J.W. Turner selected by Ms. Celmins.
As depicted on a study flow diagram, 363 papers did not meet inclusion criteria for the analysis due to various reasons.
But we quickly spot the low-lying workshops depicted on the Sborowitz company's headed writing paper that we'd seen in the museum.
Pocahontas was the first nonmythical woman to earn that distinction on U.S. paper money, having been depicted on the back of the $20 bill from 1865 to 1869 and on the $20 bill in 1875.
Along the back wall, the artist has written out by hand, on the same type of yellowed paper that she used to fabricate the dresses, the names of many female artists, including those depicted on the dresses.
She's never depicted on all fours.
