Sentence examples for density of the texture from inspiring English sources

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Felsina is one of Chianti's top estates, and this wine had a characteristic brightness and freshness that shone through the richness and density of the texture.

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Mr. Gosling played the set energetically but with an unusual clarity, opting at times to illuminate Mr. Rzewski's harmonies instead of letting the density of the textures cloud over the fine details.

Textures in route BC show orientation concentrations along fibers that consist of the {1 1 1}θ and 〈1 1 0〉θ partial fibers, yet the locations and orientation densities of the main texture components vary significantly with pass number.

Our experimental results demonstrate that the proposed approach can help design a large variety of textures from a small example, change the locations of texture elements, increase or decrease the density of texture elements, and design cyclic marbling textures.

To study this question, textured surfaces consisting of raised lumps were designed which allowed the quantification of local and global texture properties in terms of the density of texture elements.

The composition's high density of musical texture and its unusual form (the conventional four movements of a "classic" string quartet blended into one vast structure played without interruption for nearly 50 minutes) caused difficulties in comprehension at the work's premiere in 1907.

There's an enticing density of texture to the music, and Mercer's bleak lyrics are too obscure not to be intriguing.

In his view, it is little more than a byproduct of density perception, which as its main purpose has the detection and recognition of textures and objects, and which because the perceived density of a regular texture increases with distance also plays a role in the perception of three-dimensional depth.

The essential influence of the extinction phenomenon on the directly calculated pole densities and the incorrect interpretation of the texture modifications is demonstrated for the case of aluminum samples after cold rolling and different stages of thermal annealing.

Mr. Alonso, who is Long Island-based, used a ballpoint pen as if it were a brush, applying layers of tiny black and blue marks until he got the density of light and texture he was looking for.

Quantitative characterization of the texture of extruded low density polyethylene films was attempted with the aid of concepts such as the scale and intensity of segregation.

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