Sentence examples for deeply felt work from inspiring English sources

Detested by critics, it still seems to me a fearless, deeply felt work.

The film "may be Mr. Mamet's most personal and deeply felt work," Vincent Canby wrote in The Times in 1991.

"Mozart's 'Great Mass' in C Minor is perhaps his most ambitious, most elaborate and most deeply felt work for the church," said the society's founding director, Harold Rosenbaum, "while the Sinfonia Concertante, K. 364, is a proud and deeply expressive work for violin, viola and orchestra".

Taylor Kitsch, the underrated actor who portrays Tim, should be an Emmy contender for his deeply felt work here.

Cohen sang his standards and more, often beginning each one kneeling, his own homage to his deeply felt work, his signature fedora rakishly tilted at first to totally obscure his expression and then after intermission, to reveal the craggy, wise troubadour.

The idea that American politics today is "hyperpartisan" may be true enough, but it isn't entirely clarifying, because it implies that each party has an immobile, deeply felt, fully worked out set of convictions.

For all that, it's a deeply felt piece of work, something which only Scorsese could have brought to the screen, which finds a key point when Hugo must use a heart-shaped key to operate his automaton.

Mathis's deeply felt first novel works at the rough edges of history, within a brutal and poetic allegory of a black family beset by tribulations after the Great Migration to the North.

"Few other writers," Prose argues in this deeply felt reappraisal of the work and its global impact, "have given rise to such intense emotion, such fierce possessiveness, so many arguments about who is entitled to speak in her name".

El Greco seems to lay himself bare, each work deeply felt and individual, with an endless stream of doe-eyed saints, ecstatic and enraptured -- except he churned these pictures out.

Built around and upon extensive research and Byrne's equally extensive travels, The Girl in the Road represents Byrne's deeply felt goal to create work based not on cultural appropriation but on "radical empathy across national and sex and gender and class lines".