Sentence examples for deep qualities from inspiring English sources

The tone is neither big nor deep, qualities that would have better served Rachmaninoff's slow-moving and darkly baritonal "Moment Musicaux" (Op. 16, No. 3).

"The evidence gathered in recent years shows that pictures and representation are a deep quality of the mind, even with the congenitally blind," he said.

John, who says that with Princess he found he could express himself "without the yellows, the greens, and the purples," still talks about her as "the fish that got away," and he worries because Bashira, who has "eyes like wells and a deep quality to his face, like Nelson Mandela," now wants his graduation cast to be "one color, like Princess, and not too dark".

The lack of physical buttons, coupled with the scarcity of deep, quality titles, may prevent the iPhone from ever becoming a true competitor to the Nintendo DS or Sony PSP.

The paper demonstrates by example of delivery time estimate how for that purpose the deep quality concept (DQC a novel knowledge-focused quality management framework, and machine learning methodology could be effectively used.

Even though it seems like booze is relaxing, more than 1-2 drinks in the evening can interfere with deep, quality sleep.

Roldán might have approached Rio de Janeiro's Neoconcrete's group emblematic figure by bringing to the conversation his marvelous contemporary paintings, to demonstrate in minimalistic terms the deep quality of his art while establishing connections.

Watergate captured Nixon's deepest qualities, including his uncanny sense of his own failure; at the end of "Frost/Nixon," as the disgraced former President is pressed for an apology, and Langella's face is frozen in torment across the multiple screens above his chair, Nixon seems to submit to his fate, which is his character.

All are included in this set, but so are movies like "Marked Woman" (1937), "Dark Victory" (1939) and "Virginia City" (1940), in which Bogart plays generic supporting roles, and other films, like "All Through the Night" (1942) and "Action in the North Atlantic" (1943), in which Bogart plays leading parts that draw little, if at all, on the deeper qualities that made him a star.

They don't reveal any distinct or deeper qualities about the characters.

Klein commented, "Mulan isn't waiting for her prince to someday come; when he does arrive, having known her primarily as a man, and having learned to admire her for her deeper qualities, the romance is muted and subtle".